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Art, Roman --- Freed persons in art. --- Social status in art --- Art romain --- Affranchis dans l'art --- Statut social dans l'art
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patrons --- Art --- Economics --- anno 1400-1499 --- anno 1500-1599 --- Italy --- Art patronage --- Artists and patrons --- Art, Renaissance --- Social status in art. --- Mécénat --- Artistes et mécènes --- Art de la Renaissance --- Statut social dans l'art --- patrons [philanthropists] --- Mécénat --- Artistes et mécènes
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From monumental tombs and domestic decoration, to acts of benefaction and portraits of ancestors, Roman freed slaves, or freedmen, were prodigious patrons of art and architecture. Traditionally, however, the history of Roman art has been told primarily through the monumental remains of the emperors and ancient writers who worked in their circles. In this study, Lauren Petersen critically investigates the notion of 'freedman art' in scholarship, dependent as it is on elite-authored texts that are filled with hyperbole and stereotype of freedmen, such as the memorable fictional character Trimalchio, a boorish ex-slave in Petronius' Satyricon. She emphasizes integrated visual ensembles within defined historical and social contexts and aims to show how material culture can reflect preoccupations that were prevalent throughout Roman society. Interdisciplinary in scope, this book explores the many ways that monuments and artistic commissions by freedmen spoke to a much more complex reality than that presented in literature.
Affranchis dans l'art --- Freedmen in art --- Social status in art --- Sociale positie in de kunst --- Statut social dans l'art --- Vrijgelaten slaven in kunst --- Art, Roman --- Freedmen in art. --- Social status in art. --- Art [Roman ] --- Italy --- Roman art --- Classical antiquities --- Art, Roman - Italy
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"Why did Roman portrait statues, famed for their individuality, repeatedly employ the same body forms? The complex issue of the Roman copying of Greek 'originals' has so far been studied primarily from a formal and aesthetic viewpoint. Jennifer Trimble takes a broader perspective, considering archaeological, social historical and economic factors, and examines how these statues were made, bought and seen. To understand how Roman visual replication worked, Trimble focuses on the 'Large Herculaneum Woman' statue type, a draped female body particularly common in the second century CE and surviving in about two hundred examples, to assess how sameness helped to communicate a woman's social identity. She demonstrates how visual replication in the Roman Empire thus emerged as a means of constructing social power and articulating dynamic tensions between empire and individual localities"--
Portrait sculpture, Greco-Roman --- Women in art. --- Identity (Philosophical concept) in art --- Social status in art. --- Art and society --- Sculpture de portraits gréco-romaine --- Femmes dans l'art --- Identité dans l'art --- Statut social dans l'art --- Art et société --- Sculpture de portraits gréco-romaine --- Identité dans l'art --- Art et société --- Identity (Philosophical concept) in art. --- Portrait sculpture, Greco-Roman.
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Elite (Social sciences) in art. --- Social status in art. --- Vase-painting, Greek --- Luxuries --- Elite (Social sciences) --- Statut social dans l'art --- Peinture de vases grecque --- Themes, motives. --- History --- Thèmes, motifs --- Pottery, Greek --- Elite (Sciences sociales) dans l'art --- Céramique grecque --- Elite (Sciences sociales) --- Histoire --- Céramique grecque --- Thèmes, motifs
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Human body --- Human figure in art. --- Social status in art. --- Art and society --- Corps humain --- Corps humain dans l'art --- Statut social dans l'art --- Art et société --- Social aspects --- History --- History --- Aspect social --- Histoire --- Histoire --- Athens (Greece) --- Athens (Greece) --- Greece --- Athènes (Grèce) --- Athènes (Grèce) --- Grèce --- Social life and customs. --- Social conditions. --- History --- Moeurs et coutumes --- Conditions sociales --- Histoire
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History of civilization --- anno 1500-1599 --- Italy --- Funeral rites and ceremonies --- Art and society --- Social status in art. --- Funérailles --- Art et société --- Statut social dans l'art --- History --- Rites et cérémonies --- Histoire --- Social status in art --- Sixtus --- Charles --- Funérailles --- Art et société --- Rites et cérémonies --- Funerals --- Mortuary ceremonies --- Obsequies --- Manners and customs --- Rites and ceremonies --- Burial --- Cremation --- Dead --- Mourning customs --- Art --- Art and sociology --- Society and art --- Sociology and art --- Social aspects --- Cryomation --- Funeral rites and ceremonies - Italy - History - 16th century --- Art and society - Italy - History - 16th century --- Sixtus - V, - Pope, - 1520-1590] --- Charles - V, - Holy Roman Emperor, - 1500-1558.
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Friezes --- Women in art. --- Social status in art. --- Art --- Art and society --- Frises --- Femmes dans l'art --- Statut social dans l'art --- Art et société --- Political aspects --- History. --- History --- Aspect politique --- Histoire --- Parthenon (Athens, Greece) --- Social status in art --- Women in art --- Architecture --- Decoration and ornament --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Art and sociology --- Society and art --- Sociology and art --- Details --- Social aspects --- Art, Primitive
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How did people in the late medieval period perceive and express social status? This volume brings together multi-disciplinary perspectives on representations of social difference in the Low Countries during a time of dynamic social change. The premise of the volume is that medieval social change may only be fully understood if hierarchies of wealth and power are examined alongside literary and artistic sources. Medieval texts and material culture expressed social standing and gave meaning to the experience of social change. The aim of the study is to recognise and translate the language of symbols used to encode and display status in the late Middle Ages.
Social stratification --- Community organization --- History of civilization --- History of Europe --- anno 1200-1499 --- Civilization, Medieval. --- Middle Ages. --- Social classes --- Social status in art. --- Social status in literature. --- Social status --- History. --- Social status in literature --- Social status in art --- Middle Ages --- Civilization, Medieval --- History --- 940.1 --- -Social status --- -Social status in art --- Dark Ages --- History, Medieval --- Medieval history --- Medieval period --- World history, Medieval --- World history --- Medievalism --- Renaissance --- Medieval civilization --- Civilization --- Chivalry --- Social standing --- Socio-economic status --- Socioeconomic status --- Standing, Social --- Status, Social --- Power (Social sciences) --- Prestige --- Class distinction --- Classes, Social --- Rank --- Caste --- Estates (Social orders) --- Class consciousness --- Classism --- 940.1 Geschiedenis van Europa: Middeleeuwen:--(ca.375-1492) --- Geschiedenis van Europa: Middeleeuwen:--(ca.375-1492) --- Social history --- Statut social --- Classes sociales --- Statut social dans la littérature --- Statut social dans l'art --- Histoire sociale --- Histoire --- Belgium --- Netherlands --- Social perception --- Medieval, 500-1500 --- Upper class --- Nobility --- Attitudes --- Self-presentation --- Middle Ages, 500-1500 --- Social status - Europe - History --- Social classes - Europe - History
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